PostPraxis

Artwork

 

 

Black Flight 144

 
 

I am interested in the similar resolutions achieved by impoverished peoples. These resolutions can be seen in the inventiveness of children. Children use what is available with the focus on the specificity of its use rather than the price paid for. There is pure joy that happens from a tire race. The collective joy that occurs relieves a community. As a Jamaican raised child I had no sense of poverty, to the contrary I knew I was wealthy. The same ingenuity occurs with hard up children all over the world, but the sense of community has been dissolved here in America. Differences are exacerbated by capitalist practices within urban neighborhoods. Peoples of the same status persistently alert others as to who is wearing the same shirt again today. This divisive practice continues through adulthood and a culture of separation prevails. Separation lines between nationalities, states, zip codes even shades of skin are promoted from childhood. I am interested in building a community through a culture of unification.

 
 
 

 

Comparative Anthropology Series

 
 

This project reconstructs the ideas behind Eugenics and social Darwinism by using the techniques and illustrations of Pseudo scientists like Petrus Camper to link Caucasians to savages and animals, specifically the pig. This idea of the savage whether “Noble” or “Cannibal”, has been used throughout history to prove the perceived superiority of Whites. This series directly challenges the tenants of the Comparative Anthropology of Petrus Camper, Hitler, the Sons of the Confederacy who took it upon themselves to create savages and sub-humans. This project attempts to balance these notions of purity and superiority of the Whites by linking Caucasians directly to pigs, using a common colloquialism and presenting it as a plausible truth. Even though Camper’s books are widely considered inaccurate today by scientists these concepts have become concrete in Western culture. The rumor said over and over again becomes fact. This series aims to demonstrate the fact that this is a fabricated construction.

 
 
 

 

In Tandem

Essential calculations are the map to the original source or route cause of our artistic practice. It is a reflection and consideration placed in our current practice. Original actions and patterns of methodology. Amending our creative instincts. Offering suggestions of the best course of action to ourselves.

 

 

In Tandem: Essential Calculations (2018)

 
 
 

In Tandem (2017)

 
 
IMG_5087.JPG
Hutchinson&Sweet_InTandem_15.jpg
Hutchinson&Sweet_InTandem_02.jpg
Hutchinson&Sweet_InTandem_03.jpg
EC420BB8-ACFB-4115-804F-BD5C06ABC3B4.JPG
Hutchinson&Sweet_InTandem_14.jpg
Hutchinson&Sweet_InTandem_05.jpg
Hutchinson&Sweet_InTandem_12.jpg
Hutchinson&Sweet_InTandem_09.jpg
Hutchinson&Sweet_InTandem_04.jpg
Hutchinson&Sweet_InTandem_08.jpg
IMG_5085.JPG
D3E84C37-6F0C-4680-8C7F-861864A7A3AF.JPG
 

 

SACRAMENT

Sacrament is a collaboration of two artists, Carina Maye and Christopher Hutchinson who are interested in the systemic evidence of racism; Sacrament galvanizes these interests as they apply to religion and race. The suggestion behind this new body of work is to question the place Christianity has in African American relationship. This concept is illustrated through the grouping of specific Bible texts, Hymns, and educational instruction

17016024_1860321070904520_8565477666014473943_o.jpg
17097961_1860321040904523_7760909055375758095_o.jpg
17039276_1860514647551829_8847640646390694610_o.jpg
17097145_1860517297551564_8574558348400964866_o.jpg
17097449_1860515274218433_3529648883084649184_o.jpg
17158979_1860514470885180_5779051033669038985_o.jpg
17158979_1860514470885180_5779051033669038985_o.jpg
17158885_1860320204237940_5530274601320935417_o.jpg
17211805_1860319097571384_7954740770389325192_o.jpg
17191652_1860517987551495_3939895223057896080_o.jpg
17159294_1860514920885135_8787919678229046585_o.jpg
17191907_1860515080885119_8435251984674651707_o.jpg
17191795_1860514757551818_3235941776295779801_o.jpg